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Cornelia auf Naxos

Bibliographic Data

ID10886113
AuthorsJános Nagyillés (0000-0003-2106-3337, Universität Szeged Lehrstuhl für Klassische Philologie und Neulatein H-6722 Szeged Egyetem u. 2. Ungarn, corresponding author)
Year2009
Volume49
Issue4
Pages467-490
Publication date2009-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueActa Antiqua Academiae Scientiarum Hungaricae (JOURNAL)
Journal identifiersISSN: 0044-5975 • E-ISSN: 1588-2543
PublisherAkademiai Kiado Zrt. (PUBLISHER • HU)
DOI10.1556/aant.49.2009.4.10
OpenAlexW1967774920
LanguageEN

The Cornelia-figure of Lucan is a relative of the female figures of Virgil and Ovid according to linguistic and motivic references, however, on a motivic level, it should be grateful to the tragedies of Propertius and Seneca. In the Cornelia-narrative of Lucan we can assume, on the one hand a conscious linguistic and motivic reference to Ariadne of Catull with a reasonable certainty, and on the other hand to many other longer or shorter Ariadne-narratives of Ovid. The study reviews the possible references to the Ariadne-story in the epic of Lucan. In Rome, where the Naxos-episode, the most frequently mentioned part of the Ariande-story was set, the image of katasterismos was linked to the figure of the princess of Crete: which means that the connection of the ‘Ariadne in Naxos’-story with Cornelia can be a mythological metaphor of the image of becoming god. So, as a virtuous woman, Cornelia does deserve becoming a god in connection with her husband, just like Pompey as a man

Art · Certainty · EPIC · Epistemology · Linguistics · Literature · Metaphor · Mythology · Narrative · Byzantine Studies and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Philosophy

Citation velocityhistorical
Highly citedNo

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