Das angst-motiv in der Octavia des pseudo-Seneca
Bibliographic Data
| ID | 10886533 |
|---|---|
| Authors | László Takács (0000-0001-8030-5821, Pázmány Péter Catholic University Department of Classical Philology H-2087 Piliscsaba, Egyetem u. 1) |
| Year | 2001 |
| Volume | 41 |
| Issue | 3-4 |
| Pages | 395-401 |
| Publication date | 2001-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Acta Antiqua Academiae Scientiarum Hungaricae (JOURNAL) |
| Journal identifiers | ISSN: 0044-5975 • E-ISSN: 1588-2543 |
| Publisher | Akademiai Kiado Zrt. (PUBLISHER • HU) |
| DOI | 10.1556/068.2001.41.3-4.19 |
| OpenAlex | W2808562656 |
| Language | EN |
All the actors in Octavia , a pseudo-Senecan drama, are afraid of something. Only the Roman people are capable of overcoming their fears and of supporting the emperor's rejected wife and this eventually leads to their fall. Octavia, who enjoys the people's sympathy, nonetheless remains passive. Her passivity can be interpreted as a form of resistance through inactivity - she considers this the only means of preventing the impending marriage between Nero and Poppea
Ancient history · Art · Drama · Emperor · Literature · Psychoanalysis · Resistance (ecology · Sympathy · Theology · Wife · Historical, Literary, and Cultural Studies · History · Philosophy · Psychology · Social Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |