The Paratext and the Plantation
Technologies of Containment in Maria Gowen Brooks’s Zophiel
Bibliographic Data
| ID | 10944490 |
|---|---|
| Authors | Magdalena Zapędowska (Smith College, Northampton, corresponding author) |
| Year | 2021 |
| Volume | 50 |
| Issue | 6 |
| Pages | 627-646 |
| Publication date | 2021-08-18 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women s Studies (JOURNAL) |
| Journal identifiers | ISSN: 0049-7878 • E-ISSN: 1547-7045 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00497878.2021.1947814 |
| OpenAlex | W3181111757 |
| Language | EN |
| References cited | 23 |
Maria Gowen Brooks’s Zophiel; or, The Bride of Seven does not directly confront enslavement. However, since the epic poem was composed on a coffee plantation in Cuba, enslavement surrounds and stru
Art · Art history · Containment (computer programming · EPIC · Geography · Humanities · Literature · Paratext · Poetry · Political science · Asian American and Pacific Histories · Caribbean and African Literature and Culture · Latin American and Latino Studies
The Intimacies of Four Continents
From School to Salon
Political Life in the Wake of the Plantation
Ghostly Matters
Closer to Freedom
The Plantation Machine
Freedom's Mirror
The Comparative Histories of Slavery in Brazil, Cuba, and the United States
Gérard Genette Paratexts
Saltwater Slavery
Plantation Futures
Listening to Images
Archaeologies of Slavery and Freedom in the Caribbean
Shade-Grown Slavery
Poetics of relation
Plantation Ecologies
Black Prometheus
Black Message/White Envelope
The Great African Slave Revolt of 1825
Becoming Human
| Citation velocity | historical |
|---|---|
| Highly cited | No |