A tribute to Ralph Vaughan Williams (1872-1958), Gustav Holst (1874-1934) and Percy Scholes (1877-1958)
Bibliographic Data
| ID | 10957932 |
|---|---|
| Authors | Hugh Tracey (corresponding author) |
| Year | 1958 |
| Volume | 2 |
| Issue | 1 |
| Pages | 59-60 |
| Publication date | 1958-11-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | African Music Journal of the International Library of African Music (JOURNAL) |
| Journal identifiers | ISSN: 0065-4019 • E-ISSN: 2524-2741 |
| Publisher | Rhodes University (PUBLISHER) |
| DOI | 10.21504/amj.v2i1.532 |
| OpenAlex | W2404423621 |
| Language | EN |
The lives of all three as composers and writers may seem to have their settings far removed from Africa and its distinctive folk music styles. Yet a common element which made them great, and is equally important for Africa, was a clear and practical understanding of the true position of folk musics in the whole gamut of musical practice
Art · Art history · Element (criminal law) · Literature · Musical · Political science · Tribute · Violin musical styles · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |