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Mbira of the Ndau

Mozambique and Zimbabwe in 1972

Bibliographic Data

ID10958059
AuthorsAndrew Tracey (0000-0001-6803-6032, Rhodes University, corresponding author)
Year2022
Volume11
Issue3
Pages1-32
Publication date2022-02-28
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAfrican Music Journal of the International Library of African Music (JOURNAL)
Journal identifiersISSN: 0065-4019 • E-ISSN: 2524-2741
PublisherRhodes University (PUBLISHER)
DOI10.21504/amj.v12i1.2428
OpenAlexW4293228904
LanguageEN
Citations received1

The article, arising from research done in 1972, follows on the author’s series of analyses of the instrumental music of the Shona and Sena peoples of the Zambezi Valley. The analyses in this article focus on the relatively unknown mbira of the Ndau. The article describes its hexatonic note layout, highly variable tunings, and its variations among the Ndau-and Shangana-speaking groups in Southeast Zimbabwe and adjacent regions of Mozambique and South Africa. It includes the historical effect of the Shangana invasion of the nineteenth century into Mozambique. The article further discusses the transcription of the mbira’s music, in staff or the author’s own tablature, with detailed description of the latter. It compares Ndau with Shona concepts of ownership of songs, the practice of kubempa as used by Ndau travelling musicians and the difficulties of working in pre-independence Mozambique. The article presents songs in tablature, some by Bonisa Sithole, the author’s field assistant

Focus (optics) · Geography · Independence (probability theory) · Linguistics · Shona · Transcription (linguistics) · African studies and sociopolitical issues · Diverse Musicological Studies · History · Mathematics · Music History and Culture

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    Olupemi Oludare•Journal of Musical Arts in Africa•2024

Unique citing works1
Citations per year0.5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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