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Sea Brought Onto Land

Seascape Imagery in the Cycladic Pottery From Phylakopi (Melos) in the National Archaeological Museum, Athens

Bibliographic Data

ID10965128
AuthorsChristopher Nuttall (0000-0003-2679-9677, National and Kapodistrian University of Athens, corresponding author)
Year2024
Volume119
Pages61-81
Publication date2024-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Annual of the British School at Athens (JOURNAL)
Journal identifiersISSN: 0068-2454 • E-ISSN: 2045-2403
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0068245424000017
OpenAlexW4392560362
LanguageEN
Citations received1
References cited32

This study examines seascape depictions on pottery, including seafaring and sea creature scenes, from the 1896–9 excavations at Phylakopi on Melos, held in the National Archaeological Museum of Athens. This analysis demonstrates that seascape scenes varied in character through time and were typically associated with vessel shapes connected to the pouring of liquids between Early Cycladic (EC) III and Middle Cycladic late and were later focused on basins. A focus on seafaring is evident in EC III, while later the iconographic focus on the sea concentrates on sea creatures. An iconographic interest in the sea, alongside that of birds and floral depictions, is suggestive of an interest in living forms that inhabit different places to humans (i.e., non-domestic) with different corporeality to humans. This research contributes further to the growing debate on human–animal/plant relationships and ontologies in the Aegean Bronze Age

Archaeology · Geography · Pottery · Seascape · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Ecology · Geology · Maritime and Coastal Archaeology

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Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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