The first cup marks from the territory of Poland and their archaeological context

Thus far, prehistoric rock art has not been featured in the discourse concerned with the archaeology of Poland due to the absence of finds there belonging to this category. This text presents the very first identified specimens of cup marks in the present-day territory of Poland; all differ significantly in terms of context, which consequently determines the potential for interpreting the finds. The first is a boulder which was put in place as grave-marker at a Wielbark Culture site dated to Late Iron Age. The find appears to overlap with the general pattern of regularities observed in the funerary rituals of the Wielbark communities. The second instance is an isolated boulder with cup marks – most likely positioned ex situ – discovered at Wilcza (Greater Poland). Regarding the latter, available information contributes little to determination of chronology of the cup marks and the original location of the boulder in the landscape, thus obscuring the primary function of the feature. The third boulder yielded the most contextual information; it is situated within a complex of numerous Middle Bronze Age barrows in Smoszew, at a site which constitutes a part of the Bronze Age cultural landscape that has survived in the Krotoszyn Forest in southern Greater Poland. For the authors, this very feature served as a basis for a contextual and chronological analysis of rock art which has hitherto remained unknown in Poland. In light of obtained data, the cup-marked boulder from Smoszew should be approached as an element of the funerary landscape created by the Tumulus Culture community and evidence of broader cultural processes which linked particular regions of Europe in the Bronze Age

Archaeology · Bronze Age · Chronology · Context (archaeology · Feature (linguistics · Geography · Linguistics · Prehistory · Rock art · Ancient and Medieval Archaeology Studies · Archaeology and Rock Art Studies · Historical and Archaeological Studies · History

• Problem sztuki naskalnej w Polsce

  Open Access•Marek Pankiewicz•Folia Praehistorica Posnaniensia•2022

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