Craft Theory in Prehistory
Case Studies from the Mesolithic of Britain and Ireland
Datos Bibliográficos
| ID | 11002004 |
|---|---|
| Autores | Brian Elliott (0000-0002-2456-1983, University College Dublin, autor de correspondencia), Ben Elliott |
| Año | 2019 |
| Volumen | 85 |
| Páginas | 161-176 |
| Fecha de publicación | 2019-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Proceedings of the Prehistoric Society (JOURNAL) |
| Identificadores de la revista | ISSN: 0079-497X • E-ISSN: 2050-2729 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/ppr.2019.9 |
| OpenAlex | W2980861057 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 48 |
This paper reflects critically on the use of the term ‘craft’ within prehistoric archaeology and its recent rise to prominence within a variety of analytical contexts. Having briefly evaluated the way in which prehistorians employ craft, it moves on to consider the potential value that Craft Theory, a growing interdisciplinary body of literature relating to practices of making, might hold for thinking about prehistoric material culture within an archaeological context. Three case studies originating from Mesolithic Britain and Ireland are used as a vehicle to explore some of this potential in practice, before a broader discussion reflects on these initial efforts and sketches out other areas of interest for future research. The picture which emerges from this discussion is one of promise, within which prehistorians simultaneously draw from, and contribute towards, the ongoing interdisciplinary debates on craft in contemporary society
Archaeology · Context (archaeology · Craft · Geography · Mesolithic · Prehistoric archaeology · Prehistory · Sociology · Value (mathematics · Variety (cybernetics · Anthropology · Computer Science · Crafts, Textile, and Design · Fashion and Cultural Textiles · Historical and Cultural Archaeology Studies · History
Art And Agency
Star Carr Volume I
Star Carr Volume II
Thinking through Craft
Communities of Practice
Primitive art in civilized places
Material culture and mass consumption
Non-Representational Theory
Visualising the Neolithic
Tools, use wear and experimentation
Material Cultures
Being Alive
Making a Point
Material Culture and Mass Consumption
On the Transition between the Palaeolithic and Neolithic Civilizations in Europe
A Unique Engraved Shale Pendant from the Site of Star Carr
Palaeo-Eskimo Novice Flintknapping in the Eastern Canadian Arctic
Stone Dead
Sensible Dress
Material culture after text
Cognition in Practice
Functional Beauty, Perception, and Aesthetic Judgements
Research, Performance, and Doing Human Geography
Digital imaging and prehistoric imagery
New light on Neolithic revolution in south-west Asia
Situated Learning
Material cultures
Knitting the archive
The craft of musical performance
The taxidermist's apprentice
Habit geographies
Dissolving the dog
Time and the practice of charcoal burning
Stone is stone
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,6 |
| Intervalo de citas | 2021 - 2024 (4) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |