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The Satiric Method of Ibn Dāniyāl

Morality and Anti-morality in Tayf al-Khayāl

Bibliographic Data

ID11014819
AuthorsCyrus Ali Zargar (0000-0003-4229-3094, corresponding author)
Year2006
Volume37
Issue1
Pages68-108
Publication date2006-01-01
Open AccessNo
TypeARTICLE
VenueJournal of Arabic Literature (JOURNAL)
Journal identifiersISSN: 0085-2376 • E-ISSN: 1570-064X
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/157006406777070715
OpenAlexW2044842346
LanguageEN

Ibn Dāniyāl's (d. 1311) shadow play Tayf al-Khayāl takes as its setting Cairo in the early Mamlūk period, a city depicted in the play as decadent and yet subjected to ineffective moral reforms. The play's complex satiric response to such reforms is the subject of this study. Contemporary theories of satire, especially Frank Palmeri's approach to narrative satire, are used to shed light on Ibn Dāniyāl's method of constructing a sense of satiric ambiguity. Special attention is given to the playwright's use of misplaced religious language and his ironic portrayal of the relationship between power and morality

Aesthetics · Ambiguity · Art · Epistemology · Linguistics · Literature · Morality · Narrative · Psychoanalysis · Shadow (psychology · Islamic Studies and History · Philosophy · Psychology · Turkish Literature and Culture

Highly citedNo
Open DOISci-Hub
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