Fiction of Scandal1

Bibliographic Data

ID11015451
AuthorsTarek El‐Ariss (The University of Texas at Austin, corresponding author), Tarek El-Ariss (1 University of Texas at Austin)
Year2012
Volume43
Issue2-3
Pages510-531
Publication date2012-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Arabic Literature (JOURNAL)
Journal identifiersISSN: 0085-2376 • E-ISSN: 1570-064X
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/1570064x-12341235
OpenAlexW2075050434
LanguageEN
Citations received6

This article examines the tribulations of the Arab author in the age of social media. Focusing on Youssef Rakha, Abdo Khal, Ahmad Alaidy, Rajaa Alsanea, and Khaled Alkhamissi, I tie in acts of hacking, manipulation, and marketing in and of their works to questions of ethical ambivalence and aesthetic fluctuation, translational politics and canon formation that arise from threatening and violent encounters occurring on the street, in writing workshops, and on Twitter. I argue that the author emerges in new writing as the faḍḍāḥ/ah [exposer, scandalizer] who exposes and hacks political models and literary tradition only to be hacked and exposed by his/her own hacking and faḍḥ . Engaging the political dimension of hacking and scandal, I examine how literature is recoded, reimagined, and reaffirmed through greed, exhibitionism, and confrontation. This study expands the field of Arabic literary studies by exploring new sites of meaning and signification, connections and associations—between browsing practices and reading; activism and writing—in a rapidly changing technological, literary, and political landscape

Aesthetics · Ambivalence · Art · Epistemology · Exhibitionism · Field (mathematics · Hacker · Literature · Meaning (existential · Media studies · Political science · Politics · Psychoanalysis · Reading (process · Sociology · Islamic Studies and History · Law · Media, Religion, Digital Communication · Philosophy · Postcolonial and Cultural Literary Studies · Psychology

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