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The Observant Owl

Sensory Worlds of Colonial Calcutta in Hutom’s Vignettes

Bibliographic Data

ID11015707
AuthorsPriyanka Basu (0000-0002-2160-6568, King's College London, corresponding author)
Year2021
Volume44
Issue5
Pages948-965
Publication date2021-09-03
Open AccessNo
TypeARTICLE
VenueSouth Asia Journal of South Asian Studies (JOURNAL)
Journal identifiersISSN: 0085-6401 • E-ISSN: 1479-0270
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00856401.2021.1966170
OpenAlexW3196412501
LanguageEN
Citations received1

The proliferation of print in mid nineteenth century Bengal witnessed several self-reflexive exercises in writing that tried to capture the incongruence between the colonial administration and indigenous everyday lives. Hutom Pyanchar Naksha (or The Observant Owl) written by Kaliprasanna Sinha (1862) is possibly the closest representation in print of such incongruities. This article focuses on the text of Hutom in relation to visual representations and reports by the colonial administration in contemporary English newspapers like The Hindoo Patriot, The Bengal Harkaru and others. In doing so, it will highlight the sensory world of colonial Calcutta that is so vividly captured in Hutom

Aesthetics · Archaeology · Art · BENGAL · Colonialism · Indigenous · Media studies · Newspaper · Political science · Politics · Reflexivity · Relation (database · Representation (politics · Sociology · Anthropological Studies and Insights · Anthropology · Computer Science · History · Law · Postcolonial and Cultural Literary Studies · South Asian Cinema and Culture

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Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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