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Empathy, Liminality, and Narrative Imagination

Rabindranath Tagore's ‘The Living and the Dead’

Bibliographic Data

ID11016038
AuthorsLalita Pandit Hogan (0009-0008-4162-1176, University of Wisconsin–La Crosse, corresponding author)
Year2012
Volume35
Issue1
Pages73-96
Publication date2012-03-01
Open AccessNo
TypeARTICLE
VenueSouth Asia Journal of South Asian Studies (JOURNAL)
Journal identifiersISSN: 0085-6401 • E-ISSN: 1479-0270
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00856401.2011.648906
OpenAlexW2091383246
LanguageEN
Citations received1

This essay focuses on the motif of symbolic death in Rabindranath Tagore's‘The Living and the Dead’ to explore how social injustices occur when empathy for an individual (or a group) is blocked. Arnold Van Gennep's notion of pre-liminal, liminal and post-liminal rites of passage that situate humans in efficacious, productive social relations, is used to contextualise the liminality motif in appropriate theoretical terms, while the introductory and ending references to Martha Nussbaum's idea that literary texts serve to unblock empathy (for the reader), by making invisible pain and suffering visible, draw attention to Tagore's contribution to this kind of humanising literature, and his relevance as an important literary figure in today's world

Aesthetics · Art · Empathy · Liminality · Literature · Motif (music · Narrative · Psychoanalysis · Sociology · Indian History and Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Social Psychology · Violence, Religion, and Philosophy

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Citation span2015 - 2015 (1)
Highly citedNo

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