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Lowenthal, Adorno, Barthes

Three Perspectives on Popular Culture

Bibliographic Data

ID11049258
AuthorsD Gross (0000-0002-5400-8708, corresponding author)
Year1980
Volume1980
Issue45
Pages122-140
Publication date1980-10-01
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0980045122
OpenAlexW2067657526
LanguageEN

“Popular Culture” has been defined in various ways, but essentially it means two things: (1) the system of shared meanings and values that unite most of the people in any given society, and (2) the actual embodiment of these qualities and attitudes in particular objects or performances that can then be exchanged, consumed, observed, or otherwise experienced by other members of the community (e.g., paintings, plays, books, songs and the like). The first refers to the cultural “tone” of a society, and the second to the objectification of this tone in cultural artifacts. From the beginning, therefore, an obvious split needs to be noted in the realm of culture

Aesthetics · Art · Epistemology · Literature · Media studies · Objectification · Painting · Political science · Popular culture · Realm · Sociology · Tone (literature · Visual arts · European Cultural and National Identity · Law · Philosophy

Highly citedNo

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