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An Aesthetic of Redemption

Benjamin's Path to Trauerspiel

Bibliographic Data

ID11049877
AuthorsRichard Wolin (corresponding author)
Year1980
Volume1980
Issue43
Pages61-90
Publication date1980-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0380043061
OpenAlexW2321951608
LanguageEN
Citations received1

In his seminal essay on Benjamin, Habermas distinguishes between ideology critique — the confrontation of an illusory truth claim with the reality underlying it — as employed by Adorno and Marcuse, and redemptive critique, preferred by Benjamin, a type of criticism that relates conservatively rather than critically to its object. As Habermas explains: “While Marcuse would like to prepare for the transformation of demystified material conditions of life through the analytical destruction of an objective illusion [in bourgeois works of art] and in this way accomplish the Aufhebung of culture (in which these conditions are stabilized), Benjamin does not see his task in an attack on art, which is already understood as being in a stage of decomposition

Aesthetics · Art · Bourgeoisie · Criticism · Epistemology · Ideology · Illusion · Literature · Object (grammar · Politics · Psychoanalysis · Sociology · Art, Politics, and Modernism · Critical Theory and Philosophy · Law · Philosophy · Psychology · Walter Benjamin Studies Compilation

  • No Princípio Era O Logos

    Rafael Domingues Azzi•2015

Unique citing works1
Citations per year0,09
Citation span2015 - 2015 (1)
Citation velocityhistorical
Highly citedNo

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