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Gramsci as a (Non) Literary Critic

Bibliographic Data

ID11050973
AuthorsArshi Pipa (corresponding author)
Year1983
Volume1983
Issue57
Pages83-92
Publication date1983-10-01
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0983057083
OpenAlexW2327737939
LanguageEN

Gramsci began writing on questions of literature and culture while a student at the University of Turin. From 1916 to 1920, he reviewed Italian and foreign plays, performed in Turin theaters, in the socialist newspaper Avanti. “Theater Chronicles” have a militant character, occasionally touching on technical and aesthetic questions. Gramsci saw the stage as a tribune for political education, a means for exposing the insoluble contradictions of the bourgeois way of life. This approach led him to favor popular dramatized epics (drammoni d'arena) and even to prefer pochades to plays in which rhetoric dissimulates hypocrisy and moral emptiness. Literary critics have paid little attention to Gramsci's “Theatre Chronicles” on account of their partisan spirit as well as journalistic style

Aesthetics · Art · Bourgeoisie · Character (mathematics · Hypocrisy · Linguistics · Literature · Middlebrow · Political science · Politics · Rhetoric · Sociology · Style (visual arts · Law · Philosophy · Political theory and Gramsci

Highly citedNo

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