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Music and the New Music

In Memory of Peter Suhrkamp

Bibliographic Data

ID11051180
AuthorsT W Adorno (corresponding author)
Year1980
Volume1980
Issue43
Pages124-138
Publication date1980-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0380043124
OpenAlexW2316977995
LanguageEN
Citations received5

In one of my last conversations with Peter Suhrkamp, he asked me in regard to the titles of several essays included in my Klangfiguren: "Why do you people still go on talking about New Music? In painting any such designation was dropped a long time ago, but in music you bend every muscle to keep this one alive?" I should like to try to answer my dead friend as well as I can. In so doing, of course, I cannot simply restrict myself to mere matters of nomenclature; I shall have to record something of those complex considerations which his question called forth as well, in the hope that in so doing I shall touch upon something of essence to the issue involved

Aesthetics · Art · Visual arts · History · Music Technology and Sound Studies

  • Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music

    W Luke Windsor•Contemporary Music Review•1996

  • Körperlichkeit bei Adorno. Eine Bestimmung anhand des Begriffs der Selbsterhaltung

    Open Access•Leon Schultze•Soziologiemagazin•2024

  • Towards a Social Philosophy of Genocide

    Open Access•A O Arkhipov•Sociology of power•2023

  • Critical Theory and Climate Change

    Open Access•J M Domingues•International Journal of Politics…•2023

  • Committed History and Philosophy of the Social Sciences in the Two Germanies

    Open Access•William R Woodward•History of Science•1985

Unique citing works5
Citations per year0,12
Citation span1985 - 2024 (40)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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