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Adorno, Greenberg and Modernist Politics

Bibliographic Data

ID11051489
AuthorsNancy Jachec (corresponding author)
Year1998
Volume1998
Issue110
Pages105-118
Publication date1998-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/1298110105
OpenAlexW2312218760
LanguageEN

Despite widespread pessimism about the radical thrust of Adorno's modernism and Adorno's own reservations, his work has been held up as prefiguring the rebirth of a more engaged politics. This argument has taken several forms. Russell A. Berman maintains that if Adorno's modernism was bound to exhaust itself (as Adorno himself anticipated), the end of modernism would inevitably result in a return to everyday life. Yet this union of art and life would simply relocate political struggle and change within the cultural arena: “After the completion of the avantgarde project, works of art have lost their privileged status and are no longer a safe harbor for the utopian image of a successful civilization, but the principle of aestheticization expands throughout society as a crucial medium of manipulation

Aesthetics · Argument (complex analysis · Civilization · Epistemology · Everyday life · Modernism (music · Pessimism · Political science · Politics · Sociology · Critical Theory and Philosophy · Law · Philosophy

Citation velocityhistorical
Highly citedNo

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