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The "Counterculture," Gnosis, and Modernity

Bibliographic Data

ID11051493
AuthorsA Versluis (corresponding author)
Year2010
Volume2010
Issue152
Pages31-43
Publication date2010-09-01
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0910152031
OpenAlexW2334653266
LanguageEN
Citations received1

Interpretations of the 1960s have tended to fall into two general camps. One group consists in those who trace perceived social ills back to that period, like a colleague who, morosely contemplating the failures of academe, said that one couldn't begin to rebuild the humanities and social sciences until the generation forged in that era had retired. Another group consists in those for whom the 1960s represent the birth of a still unfinished social revolution, and for them, the era is comprehensible chiefly through Marxist interpretive lenses. The former is a pessimistic narrative of social decline and fragmentation; the latter

Aesthetics · Art · Art history · Counterculture · Epistemology · Literature · Marxist philosophy · Modernity · Narrative · Period (music · Pessimism · Political science · Sociology · Gender Studies · History · Law · Philosophy · Political and Economic history of UK and US · Political Economy and Marxism · Political theory and Gramsci

  • Overcoming ‘Gnosticism’? Realism as political theology

    Vassilios Paipais•Cambridge Review of International…•2015

Citations per year0.09
Citation span2015 - 2015 (1)
Highly citedNo

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