Space, Body, and Aliens in Japanese Women’s Science Fiction
Bibliographic Data
| ID | 11060177 |
|---|---|
| Authors | Kotani Mari (corresponding author) |
| Translators | Miri Nakamura (0000-0003-1379-1123) |
| Year | 2002 |
| Volume | 29 |
| Issue | Part 3 |
| Pages | 397-417 |
| Publication date | 2002-11-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Science Fiction Studies (JOURNAL) |
| Journal identifiers | ISSN: 0091-7729 • E-ISSN: 2327-6207 |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/sfs.29.3.0397 |
| OpenAlex | W4409350559 |
| Language | EN |
Women’s sf in Japan contains many depictions and expressions of the body. This paper will focus on three themes in particular in a number of works in order to examine the history of Japanese women’s sf: A) The Utopia of Women: Suzuki Izumi (The World of Women and Women), Hikawa Reiko (Women Warriors Efera and Jiriora), Matsuo Yumi (The Murders of Balloontown), and Arai Motoko (Tigris and Euphrates); B) The Transformation of Women into Monsters: Hagio Moto (Star Red), Yamao Yuko (The City Where Dreams Live), Ohara Mariko (Hybrid Child), Shinoda Setsuko (Gosainthan), and Sônô Yoriko (The Development of my Mother); C) The Alteration of Maculinity: Kurimoto Kaoru (The Guin Saga), Satô Aki (The Travels of Balthazar), and Takano Fumio (Vaslaf)
Art · Linguistics · Sociology · Space (punctuation) · Gender Studies · History · Japanese History and Culture · Philosophy · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|