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Space, Body, and Aliens in Japanese Women’s Science Fiction

Bibliographic Data

ID11060177
AuthorsKotani Mari (corresponding author)
TranslatorsMiri Nakamura (0000-0003-1379-1123)
Year2002
Volume29
IssuePart 3
Pages397-417
Publication date2002-11-01
Open AccessNo
TypeARTICLE
VenueScience Fiction Studies (JOURNAL)
Journal identifiersISSN: 0091-7729 • E-ISSN: 2327-6207
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/sfs.29.3.0397
OpenAlexW4409350559
LanguageEN

Women’s sf in Japan contains many depictions and expressions of the body. This paper will focus on three themes in particular in a number of works in order to examine the history of Japanese women’s sf: A) The Utopia of Women: Suzuki Izumi (The World of Women and Women), Hikawa Reiko (Women Warriors Efera and Jiriora), Matsuo Yumi (The Murders of Balloontown), and Arai Motoko (Tigris and Euphrates); B) The Transformation of Women into Monsters: Hagio Moto (Star Red), Yamao Yuko (The City Where Dreams Live), Ohara Mariko (Hybrid Child), Shinoda Setsuko (Gosainthan), and Sônô Yoriko (The Development of my Mother); C) The Alteration of Maculinity: Kurimoto Kaoru (The Guin Saga), Satô Aki (The Travels of Balthazar), and Takano Fumio (Vaslaf)

Art · Linguistics · Sociology · Space (punctuation) · Gender Studies · History · Japanese History and Culture · Philosophy · Utopian, Dystopian, and Speculative Fiction

Highly citedNo

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