Techno-Orientalism Goes to the Stars
The Space Asian/American and Interstellar Company Rule in Simon Jimenez's The Vanished Birds
Bibliographic Data
| ID | 11061014 |
|---|---|
| Authors | Stephen Hong Sohn (corresponding author) |
| Year | 2024 |
| Volume | 51 |
| Issue | 2 |
| Pages | 280-306 |
| Publication date | 2024-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Science Fiction Studies (JOURNAL) |
| Journal identifiers | ISSN: 0091-7729 • E-ISSN: 2327-6207 |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1353/sfs.2024.a931156 |
| OpenAlex | W4400361770 |
| Language | EN |
This article explores how Simon Jimenez's The Vanished Birds participates in but also moves beyond the discourse of techno-Orientalism through its depiction of characters, companies, and interstellar travel. Readers encounter a seemingly quintessential techno-Orientalist construct when they meet the book's protagonist, Fumiko. But their attention is soon redirected to a corporate entity whose predatory capitalist practices make it the new, menacing techno-Orientalist figure in the plot. The novel intervenes in discourses of techno-Orientalism by emphasizing how exploitative economic power dynamics are not limited to actors such as individuals or nation-states, as they are typically understood, but include corporate entities. This article thus contends that more precision is necessary when defining techno-Orientalist constructs and encourages readers to expand their perspectives as they immerse themselves in the Asian American science fictional world
Archaeology · Astronomy · Linguistics · Orientalism · Physics · Space (punctuation) · Stars · History · Philosophy · Utopian, Dystopian, and Speculative Fiction
| Citation velocity | historical |
|---|---|
| Highly cited | No |