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Several Exceptional Forms of Primates”

Simian Cinema

Bibliographic Data

ID11061695
AuthorsRebecca Bishop (corresponding author)
Year2008
Volume35
IssuePart 2
Pages238-250
Publication date2008-07-01
Open AccessNo
TypeARTICLE
VenueScience Fiction Studies (JOURNAL)
Journal identifiersISSN: 0091-7729 • E-ISSN: 2327-6207
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/sfs.35.2.0238
OpenAlexW4409357594
LanguageEN
Citations received1

The ape has long held an ambiguous position in the Euro-Western scientific and cultural imaginary. A creature “betwixt and between” a human-like selfhood and the terrain of animality, the ape has consistently been drawn into socioscientific anxieties and debates surrounding what constitutes “being human.” Sf cinema is built on notions of the human always under threat from the amorphous or anthropomorphic others of alternate technocultural realities. In this paper I argue that the presence of the ape in science fiction cinema, however, evokes a long-standing narrative of an ontological humanness under threat from the animality both outside and within itself

Art · Art history · Biology · Movie theater · Simian · Virus · Digital Media and Philosophy · German Colonialism and Identity Studies · Italian Fascism and Post-war Society · Virology

  • A Radical Monopoly on Sapience

    Meghan Kuckelman•Science Fiction Studies•2025

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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