Telling Performances
Jazz History Remembered and Remade by the Women in the Band
Bibliographic Data
| ID | 11077629 |
|---|---|
| Authors | Sherrie Tucker (corresponding author) |
| Year | 1999 |
| Volume | 26 |
| Issue | 1 |
| Pages | 67-84 |
| Publication date | 1999-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Oral History Review (JOURNAL) |
| Journal identifiers | ISSN: 0094-0798 • E-ISSN: 1533-8592 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1093/ohr/26.1.67 |
| OpenAlex | W2334867726 |
| Language | EN |
| Citations received | 10 |
Additional informationNotes on contributorsSherrie TuckerSherrie Tucker is a jazz journalist and a Ph.D. candidate in the History of Consciousness at the University of California, Santa Cruz. She is the author of Changing the Players, Playing the Changes: "All-Girl" Bands During World War II (Durham: Duke University Press, Forthcoming). This article won the Oral History Association's 1998 award for outstanding use of oral history in an original article. It is reprinted here with permission from Women & Music, Vol. 1 (1997): 12–23. An earlier version of this article originally appeared in Sung and UnSung: Jazz Women, and was provided by America's Jazz Heritage, a Partnership of the Lila Wallace–Reader's Digest Fund and the Smithsonian Institution.
Archaeology · Art · Art history · Girl · Jazz · Media studies · Oral history · Sociology · Visual arts · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis · Psychology
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Subversion of Patriarchal Ideology
Teaching jazz history
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They might read a fly speck”
Labor History Bibliography, 1999
| Citations per year | 0.37 |
|---|---|
| Citation span | 1999 - 2024 (26) |
| Highly cited | No |