Diasporic Memories
Community, Individuality, and Creativity—A Life Stories Perspective
Bibliographic Data
| ID | 11078484 |
|---|---|
| Authors | Mary Chamberlain (corresponding author) |
| Year | 2009 |
| Volume | 36 |
| Issue | 2 |
| Pages | 177-187 |
| Publication date | 2009-07-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Oral History Review (JOURNAL) |
| Journal identifiers | ISSN: 0094-0798 • E-ISSN: 1533-8592 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1093/ohr/ohp039 |
| PMID | 19999277 |
| OpenAlex | W2043737976 |
| Language | EN |
| Citations received | 7 |
| References cited | 6 |
Can we talk of a collective, diasporic memory? I will argue that in the case of the African-Caribbean community, there are distinctive features -- such as the need to "tell" and the need to "connect" -- which suggests that this diasporic memory is framed through identifiable cultural templates, which distinguish it from the memories of migrants.
Aesthetics · Art · Collective memory · Creativity · Perspective (graphical) · Political science · Sociology · Visual arts · Educator Training and Historical Pedagogy · History · Multilingual Education and Policy · Psychology · Social Psychology
Death, Dreaming, and Diaspora
Disciplining the Unruly (National) Body in Staceyann Chin's The Other Side of Paradise
Annual Bibliography of Works About Life Writing, 2009-2010
Remembering voices
Transnational women of Indo-Mauritian origins and their experiences with colonial and heritage languages
Partition at 75
Sisterhood and After
| Citations per year | 0.44 |
|---|---|
| Citation span | 2010 - 2025 (16) |
| Highly cited | No |