The Devil Wears White

This paper addresses the intersection of moral condemnation, national antagonism, and civilizational critique in the images of the Teutonic Order as presented in Polish historical discourse since the early nineteenth century, with references to their medieval and early modern origins. For more than 150 years, the Order played the role of the archenemy in the historical imagination of Poles. This image is typically considered an element of the anti-German sentiment, fueled by modern nationalism. In this paper I argue that the scale and nature of the demonization of the Teutonic Knights in Polish historiography is more complex, and should be interpreted in the contexts of pre-modern religious rhetoric on the one hand, and the critique of Western civilization from a peripheral or semi-colonial point of view on the other. The durability and flexibility of the black legend of the Order, born in the late Middle Ages, and adapted by Romantic, modern nationalist, and communist historians, makes it a unique phenomenon, surpassing the framework of modern nationalism. It is the modern anti-German stereotype that owes much to this legend, rather than the other way around

Ancient history · Archaeology · Art · Civilization · German · Historiography · Literature · Modern history · Nationalism · Political science · Politics · Rhetoric · Historical Geopolitical and Social Dynamics · History · Law · Medieval European History and Architecture · Philosophy · Polish Historical and Cultural Studies

• The Illusion of Accuracy

  Open Access•Juan Manuel Rubio Arevalo•Open Library of Humanities•2024

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