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The Aesthetics of a Collapsing Border

Bibliographic Data

ID11083204
AuthorsSune Bechmann Pedersen (0000-0003-4762-7962, Lund University, corresponding author)
Year2014
Volume41
Issue2-3
Pages254-276
Publication date2014-12-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEast Central Europe (JOURNAL)
Journal identifiersISSN: 0094-3037 • E-ISSN: 1876-3308
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/18763308-04103007
OpenAlexW2147292946
LanguageEN
Citations received1
References cited13

This article is a diachronic study of the fall of the Berlin Wall as it has been represented in German fiction films from 1989 until 2010. The focus is on the formal features of the inclusion of the event in filmic narratives and on the reactions by film critics to the representations. By studying the aesthetics of representation and the reactions and expectations expressed by critics, it is possible to trace the ways in which the event has changed from a sacrosanct experience, vividly remembered, to a historical affair of little controversy. At the same time, the article also depicts a change in the representations themselves. Starting with gritty realism, the films turn to ironic hyperbole in their depictions of the fall from around 1999. After 2003, however, the unreal representations give way to generic dramas that adhere to strictly conventional narratives and aesthetics. This, the article concludes, coincided with the transformation of the memories of the event from communicative to cultural

Aesthetics · Art · Event (particle physics · German · Hyperbole · Linguistics · Literature · Metaphor · Narrative · Political science · Politics · Realism · Representation (politics · Sociology · TRACE (psycholinguistics) · German History and Society · History · Law · Memory, History, Trauma, Identity · Memory, Trauma, and Commemoration · Philosophy

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  • Image Critique and the Fall of the Berlin Wall

    Sunil Manghani•Image Critique and the Fall of…•2008

  • Remembering Cold War Division

    Anna Saunders•Journal of Contemporary European…•2009

  • The Berlin Wall from a visual perspective

    Open Access•Benjamin Drechsel•Visual Communication•2010

  • Nazis, Viewers and Statistics

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  • Remembering the Berlin Wall

    Open Access•Gerd Knischewski and, Ulla Spittler•German Life and Letters•2006

  • Post-Wall Documentaries

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  • Collective Memory and Cultural History

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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