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Charitable Collaborations in Bronzeville, 1928-1944

The Chicago Defender and the Regal Theater

Bibliographic Data

ID11108622
AuthorsClovis E Semmes (University of Missouri, Kansas City, Kansas City, MO, USA, corresponding author)
Year2011
Volume37
Issue6
Pages975-991
Publication date2011-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Urban History (JOURNAL)
Journal identifiersISSN: 0096-1442 • E-ISSN: 1552-6771
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0096144211418434
PMID22175081
OpenAlexW1985319795
LanguageEN

In the twentieth century, race-based residential and commercial segregation that supported racial oppression and inequality became an elemental characteristic of urban black communities. Conflict-ridden, black-white relationships were common. However, the Chicago Defender Charities, Inc., the entity that sponsors the largest African American parade in the country and that emerged in 1947, embodied a tradition of charitable giving, self-help, and community service initiated in 1921 by Chicago Defender newspaper founder and editor, Robert S. Abbott. The foundation of this charitable tradition matured as a result of an early and sustained collaboration between Chicago’s white-owned Regal Theater and the black-owned Chicago Defender newspaper. Thus, in segregated African American communities, black and white commercial institutions, under certain conditions, were able to find important points of collaboration to uplift the African American communities of which they were a part

African american · Embodied cognition · Ethnology · Media studies · Newspaper · Oppression · Parade · Political science · Politics · Race (biology · Racism · Sociology · Underground Railroad · White (mutation · American History and Culture · American Political and Social Dynamics · Gender Studies · Law · Race, History, and American Society

Citation velocityhistorical
Highly citedNo

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