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Universal Grammar and Narrative Form

Bibliographic Data

ID11116045
AuthorsBenji Wald (corresponding author), Daniela Herman (0009-0009-1759-2472), David Herman (0000-0002-0004-4682)
Year1997
Volume73
Issue2
Pages424
Publication date1997-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLanguage (JOURNAL)
Journal identifiersISSN: 0097-8507 • E-ISSN: 1535-0665
PublisherJSTOR (PUBLISHER)
DOI10.2307/416047
OpenAlexW2070870663
LanguageEN
Citations received13

In a major rethinking of the functions, methods, and aims of narrative poetics, David Herman exposes important links between modernist and postmodernist literary experimentation and contemporary language theory. Ultimately a search for new tools for narrative theory, his work clarifies complex connections between science and art, theory and culture, and philosophical analysis and narrative discourse.Following an extensive historical overview of theories about universal grammar, Herman examines Joyce's Ulysses, Kafka's Trial, and Woolf's Between the Acts as case studies of modernist literary narratives that encode grammatical principles which were (re)fashioned in logic, linguistics, and philosophy during the same period. Herman then uses the interpretation of universal grammar developed via these modernist texts to explore later twentieth-century cultural phenomena. The problem of citation in the discourses of postmodernism, for example, is discussed with reference to syntactic theory. An analysis of Peter Greenaway's Cook, The Thief, His Wife, and Her Lover raises the question of cinematic meaning and draws on semantic theory. In each case, Herman shows how postmodern narratives encode ideas at work in current theories about the nature and function of language.Outlining new directions for the study of language in literature, Universal Grammar and Narrative Form provides a wealth of information about key literary, linguistic, and philosophical trends in the twentieth century

Emergent grammar · Grammar · Linguistics · Narrative · Relational grammar · Computer Science · Narrative Theory and Analysis · Philosophy · Translation Studies and Practices

  • The Tourist Narrative

    Open Access•Jillian M Rickly, Jillian M Rickly-Boyd•Tourist Studies•2009

  • Sciences of the Text

    Open Access•D Herman, Daniela Herman et al.•Postmodern Culture•2001

  • Saussure and the Grounds of Intepretation

    Open Access•D Herman, Daniela Herman et al.•Postmodern Culture•2002

  • A variable syntax of speech, gesture, and sound effect

    Open Access•Richard Cameron•Language Variation and Change•1998

  • Theories of Fiction and the Claims of Narrative Poetics

    D Herman, Daniela Herman et al.•Poetics Today•1998

  • Merely Telling Stories? Narrative and Knowledge in the Human Sciences

    Martin Kreiswirth•Poetics Today•2000

  • Against Narrative Poetics

    Eyal Amiran•SubStance•1996

  • The Models of Space, Time, and Vision in V. Nabokov's Fiction

    Stephen H Blackwell, Marina Grishakova•The Slavic and East European…•2007

  • Poetics and politics in Prague

    Open Access•David Herman•Semiotica•2002

  • Pre-Positioning the Narrator

    Doreen Densky•Journal of Austrian Studies•2016

  • Labov and Waletzky in Context

    Cynthia Bernstein•Journal of Narrative and Life…•1997

  • The Models of Space, Time and Vision in V. Nabokov’s Fiction

    Open Access•Marina Grishakova•The Models of Space, Time and…•2012

  • Direct and indirect speech in Spanish language news reports

    Kareen Gervasi•Journal of Language and Politics•2014

Unique citing works13
Citations per year0,43
Citation span1996 - 2016 (21)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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