The Political Theory of Painting Without the Politics
Bibliographic Data
| ID | 11163402 |
|---|---|
| Authors | Andrew Hemingway (0000-0002-0920-3897, Ealing College of Higher Education, corresponding author) |
| Year | 1987 |
| Volume | 10 |
| Issue | 3 |
| Pages | 381-395 |
| Publication date | 1987-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Art History (JOURNAL) |
| Journal identifiers | ISSN: 0141-6790 • E-ISSN: 1467-8365 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1111/j.1467-8365.1987.tb00263.x |
| OpenAlex | W2115404768 |
| Language | EN |
The Political Theory of Painting from Reynolds to Hazlitt: ‘The Body of the Public’ . John Barrell, Yale University Press, 1986, 366 pp., 26 b & w ills, £16.95
Art · Art history · Painting · Political science · Politics · Visual arts · Art, Politics, and Modernism · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |