Homo Cinematicus
Science, Motion Pictures and the Making of Modern Germany
Bibliographic Data
| ID | 11189447 |
|---|---|
| Authors | Claudia Kotte (Independent Scholar, Berlin, corresponding author) |
| Year | 2018 |
| Volume | 38 |
| Issue | 3 |
| Pages | 674-676 |
| Publication date | 2018-07-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Historical Journal Of Film Radio and Television (JOURNAL) |
| Journal identifiers | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2018.1459028 |
| OpenAlex | W2810873937 |
| Language | EN |
While widely lauded as one of the finest periods of German cinema, the first decades of the twentieth century were also marked by heated debates about the status and legitimacy of film. In contrast
Aesthetics · Archaeology · Art · Art history · Contrast (vision) · German · Legitimacy · Motion (physics) · Motion picture · Movie theater · Optics · Physics · Political science · Artificial Intelligence · Cinema and Media Studies · Computer Science · European history and politics · History · Law · Philosophy, History, and Historiography
| Highly cited | No |
|---|