The Global Road Movie
Alternative Journeys Around the World
Bibliographic Data
| ID | 11190474 |
|---|---|
| Authors | Claudia Kotte (Independent Scholar, Berlin, Germany, corresponding author) |
| Year | 2019 |
| Volume | 39 |
| Issue | 3 |
| Pages | 630-632 |
| Publication date | 2019-07-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Historical Journal Of Film Radio and Television (JOURNAL) |
| Journal identifiers | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2019.1603906 |
| OpenAlex | W2942811721 |
| Language | EN |
| Citations received | 4 |
The road movie is a well-defined and well-studied genre, as surveys such as Cohan’s and Rae Hark’s The Road Movie Book (1997), David Laderman’s Driving Visions (2002) and Devin Orgeron’s Road Movie
Advertising · Aesthetics · Art · Art history · Business · Media studies · Sociology · Vision · Visual arts · Anthropology · Cinema and Media Studies
| Citations per year | 0.67 |
|---|---|
| Citation span | 2020 - 2025 (6) |
| Highly cited | No |