Jim Jarmusch
Music, words and noise
Bibliographic Data
| ID | 11190842 |
|---|---|
| Authors | Michael D Dwyer (0000-0001-8862-4595, Arcadia University, corresponding author) |
| Year | 2016 |
| Volume | 36 |
| Issue | 2 |
| Pages | 258-260 |
| Publication date | 2016-04-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Historical Journal Of Film Radio and Television (JOURNAL) |
| Journal identifiers | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2016.1164481 |
| OpenAlex | W2332998517 |
| Language | EN |
Among media scholars, cultural historians and film critics, the 1980s are often dismissed as a period of bloated blockbuster aesthetics, Reaganist/Thatcherite politics and greed-is-good myopia. Occ
Aesthetics · Art · Literature · Media studies · Movie theater · Noise (video) · Period (music) · Political science · Politics · Sociology · Thatcherism · Computer Science · History · Law · Music History and Culture · Musicology and Musical Analysis
| Highly cited | No |
|---|