Introduction
Harold Pinter’s Transmedial Histories
Bibliographic Data
| ID | 11190870 |
|---|---|
| Authors | Jonathan Bignell (0000-0003-4874-1601, University of Reading, corresponding author), William Davies (0000-0003-1830-5403, University of Reading, corresponding author) |
| Year | 2020 |
| Volume | 40 |
| Issue | 3 |
| Pages | 481-498 |
| Publication date | 2020-07-02 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Historical Journal Of Film Radio and Television (JOURNAL) |
| Journal identifiers | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2020.1778314 |
| OpenAlex | W3035866625 |
| Language | EN |
| References cited | 6 |
This article introduces the special issue by exploring the transmediality of Harold Pinter's work. By examining Pinter's texts across television, radio and cinema, as well as theatre, this article argues that both Pinter's formal experimentation and development as a cultural figure are intimately connected to his consistent practice of working across a variety of media
Art · Art history · Literature · Media studies · Movie theater · Performance art · Sociology · Variety (cybernetics) · Visual arts · Artistic and Creative Research · Computer Science · Contemporary Literature and Criticism · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |