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Roots and the trope of the good slaveholder

Bibliographic Data

ID11192273
AuthorsLaurie F Leach (0000-0003-2924-567X, North-West State Technical University, corresponding author)
Year2019
Volume40
Issue2
Pages361-379
Publication date2019-04-03
Open AccessNo
TypeARTICLE
VenueSlavery and Abolition (JOURNAL)
Journal identifiersISSN: 0144-039X • E-ISSN: 1743-9523
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0144039x.2018.1554785
OpenAlexW2903287112
LanguageEN

Despite objections that the Roots miniseries painted all the blacks as good and the whites as bad, or conversely that the addition of sympathetic white characters undermined its critique of slavery and racism, the series frequently employs the trope of the ‘good slave holder.’ This was a feature of abolitionist literature that served to give sympathetic white readers someone to identify with initially while driving home the message that slavery could never be made good by even the most benevolent master, and that whites were morally obligated to support black freedom

Aesthetics · Art · Feature (linguistics · Linguistics · Literature · Racism · Sociology · Trope (literature · White (mutation · African history and culture studies · American and British Literature Analysis · Caribbean and African Literature and Culture · Gender Studies · History · Philosophy

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