Unmasking the Body

Click to increase image sizeClick to decrease image size Notes 1. Rebecca Harris-Warrick, “Recovering the Lullian Divertissement,” in Dance and Music in French Baroque Theatre: Sources and Interpretations, ed. Sarah McCleave (London: Kings College, 1998), 55–80. 2. See Horst Koegler, “The Northern Heirs of Noverre,” Dance and Dancers (February 1987): 24. 3. See also Jean-Noël Laurenti, Christine Bayle, and Irène Ginger on the influence of Feuillet's notation on German theoreticians, notably Gottfried Taubert, in “L’Étude Théorique et Pratique des Traités de Danse Allemands au Tournant des XVIIe et XVIIIe Siècles: Entre Théorie et Pratique / Pratique et Théorie dans la Reconstruction de la Technique de la Danse Française d'après le Traité de Gottfried Taubert,” in Proceedings of the Society of Dance History Scholars, Paris, June 21–24, 2007, 526–30. 4. See also Judith Chazin-Bennahum, “Livrets of Ballets and Pantomimes during the French Revolution (1787–1801),” doctoral dissertation, University of New Mexico, 1981, and Dance in the Shadow of the Guillotine (Carbondale: Southern Illinois University Press, 1988)

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