Ballet as Discourse
Environment, Diversity, and Colonialism in La Source
Bibliographic Data
| ID | 11211258 |
|---|---|
| Authors | Olivia Sabee (0000-0002-1252-4536, Swarthmore College, corresponding author) |
| Year | 2021 |
| Volume | 44 |
| Issue | 1 |
| Pages | 91-96 |
| Publication date | 2021-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Dance Chronicle (JOURNAL) |
| Journal identifiers | ISSN: 0147-2526 • E-ISSN: 1532-4257 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01472526.2021.1875970 |
| OpenAlex | W3136573574 |
| Language | EN |
In 2011, the Paris Opera Ballet remounted La Source, an 1866 ballet with a libretto by Charles Nuitter, choreography by Arthur Saint-Leon, and a musical score by Leo Delibes and Ludwig Minkus. Sain
Art · Art history · Ballet · Choreography · Colonialism · Dance · Diversity (politics) · Humanities · Literature · Musical · Opera · Performance art · SAINT · Sociology · Visual arts · Anthropology · Historical Studies and Socio-cultural Analysis · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |