Plus ça Change, Plus C'est la Même Chose’

Music Promoting, Digital Leisure, Social Media and Community

Datos Bibliográficos

ID11217664
AutoresStephen Henderson (Leeds Beckett University, autor de correspondencia), Karl Spracklen (0000-0002-6390-9022, Leeds Beckett University, autor de correspondencia)
Año2018
Volumen40
Número4
Páginas239-250
Fecha de publicación2018-07-04
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaLeisure Sciences (JOURNAL)
Identificadores de la revistaISSN: 0149-0400 • E-ISSN: 1521-0588
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01490400.2017.1378139
OpenAlexW2768599150
IdiomaFR
Citas recibidas7
Referencias citadas41

This article draws from interviews with music promoters from the northern England to consider their use of social media to develop online communities. It reveals they have developed online spaces offering digital leisure for the making and enjoying of music, but the forming of these music-loving communities is problematic. Promoters are necessarily distracted by what might be called a corporate community of agents, local councils, and so forth. Promoting itself is complicated by the social community of live music fans with its different music genre-based subcommunities. As a result, complex community structures form around “pools,” “webs,” and “hubs” with whom the promoters communicate in both instrumental and communicative ways. Underpinning this social construct, activity in the community is predominantly transactional and instrumental in an approach that differs little from the equivalent offline world and, as a result, offers little as a transformative space for social justice

Art · Chose · Media studies · Pedagogy · Political science · Popular music · Public relations · Sense of community · Social media · Social science · Sociology · Transformative learning · Underpinning · Visual arts · Cultural Industries and Urban Development · Impact of Technology on Adolescents · Music History and Culture