The Way We Perform Now
Bibliographic Data
| ID | 11222666 |
|---|---|
| Authors | Shannon Jackson (corresponding author) |
| Year | 2014 |
| Volume | 46 |
| Issue | 3 |
| Pages | 53-61 |
| Publication date | 2014-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0149-7677 • E-ISSN: 1940-509X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0149767714000059 |
| OpenAlex | W2125203518 |
| Language | EN |
| Citations received | 2 |
| References cited | 3 |
This piece is adapted from a lecture delivered in the “Performing Institutions” series curated by Artists Space with the 2012 Whitney Biennial. The event also included David Velasco of Artforum as well as Sarah Michelson, who had just become the first choreographer to win the Bucksbaum Award for the best work presented at the Whitney Biennial. Artists Space represented the Performing Institutions series in the following terms: “Taking as its starting point the 2012 Whitney Biennial's allocation of the fourth floor Emily Fischer Landau Galleries as a performance space for music, dance, theater, and participatory programming, this series of talks consider the status of performance and ‘virtuosity’ within the parameters of an institutional public sphere. Does this turn toward ‘activity without end product’ potentially shift entrenched relations between institution and artist, artwork and viewer, or reinforce a contemporary experience of totalizing social production?”
Aesthetics · Art · Citizen journalism · Dance · Institution · Point (geometry) · Political science · Public space · Social science · Social space · Sociology · Space (punctuation) · Studio · Visual arts · Computer Science · Critical Theory and Political Philosophy · Engineering · Law · Marxism and Critical Theory · Mathematics · Theatre and Performance Studies
| Citations per year | 0.22 |
|---|---|
| Citation span | 2017 - 2018 (2) |
| Highly cited | No |