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Tamiris and the Federal Dance Theatre 1936–1939

Socially Relevant Dance Amidst the Policies and Politics of the New Deal Era

Bibliographic Data

ID11222772
AuthorsElizabeth Cooper (0000-0003-3367-7053)
Year1997
Volume29
Issue2
Pages23-48
Publication date1997-01-01
Open AccessYes
TypeARTICLE
VenueDance Research Journal (JOURNAL)
Journal identifiersISSN: 0149-7677 • E-ISSN: 1940-509X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/1478733
OpenAlexW2317356805
LanguageEN
Citations received1
References cited2

Credit is due a great many individuals for sustained, serious and heartbreaking efforts to achieve successful dance productions within the organization of the Federal Theatre Project in New York, but there is one person who has practically given all her life to it for the past three years and has repeatedly and consistently identified her own career with it. She has been responsible for four productions and has done more than any other one person to hold the whole project together and keep it going. Without her tremendous creative enthusiasm and energy, her personal and artistic integrity, her sense of social responsibility, I doubt if this project could ever have endured. I doubt it could have been organized in the first place.... I am speaking of Tamiris. The history of the Works Progress Administration's short-lived Federal Dance Theatre embodies many of the aspirations, achievements, ambiguities, handicaps and frustrations of Franklin Delano Roosevelt's New Deal. Like the other Works Progress Administration (WPA) relief programs, the Federal Dance Theatre (FDT) was created with federal funds to help alleviate the hardships brought on by the Great Depression. The FDT was established in January 1936 as a distinct artistic entity within the WPA relief organization. It employed professional dancers, choreographers, musicians, designers, and technicians, and set before them the task of producing socially relevant dance pieces for the American people, in particular, audiences that had not previously had access to the theatre. That the Federal Dance Theatre came into existence at all and managed to stay afloat and produce a few critically acclaimed productions of social portent and artistic merit was largely due to the perseverance of modern dance maverick, Helen Tamiris (1905–1966)

Administration (probate law) · Aesthetics · Art · Dance · Enthusiasm · Great Depression · New Deal · Political science · Politics · Sociology · Visual arts · Diversity and Impact of Dance · History · Law · Psychology · Race, History, and American Society · Social Psychology · Theater, Performance, and Music History

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Citations per year0.17
Citation span2020 - 2020 (1)
Highly citedNo

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