Martha Graham's Gilded Cage
Blood Memory—An Autobiography (1991)
Bibliographic Data
| ID | 11223375 |
|---|---|
| Authors | Victoria Phillips (0000-0002-8095-3535, Columbia University, corresponding author) |
| Year | 2013 |
| Volume | 45 |
| Issue | 2 |
| Pages | 63-83 |
| Publication date | 2013-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0149-7677 • E-ISSN: 1940-509X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0149767712000241 |
| OpenAlex | W2169550007 |
| Language | EN |
| Citations received | 2 |
| References cited | 16 |
Although scholars, including myself, use Blood Memory to quote Martha Graham as evidence, other academics and dancers themselves have asserted that Graham did not write or construct the “autobiography.” The cross-reading of archives uncovers the narrative history of the making of Blood Memory , and how Graham, editors, and handlers constructed and reconstructed the book. In conclusion, by reading Graham's extensive oral histories and early writings, both scholars and dancers can recover the voice of the choreographer and woman
Art · Art history · Biography · Construct (python library) · Linguistics · Literature · Narrative · Psychoanalysis · Reading (process) · Visual arts · Computer Science · Diversity and Impact of Dance · History · Musicology and Musical Analysis · Philosophy · Psychology · Theatre and Performance Studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,15 |
| Citation span | 2013 - 2026 (14) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |