Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Swinging at the Savoy

Bibliographic Data

ID11223476
AuthorsBarbara Engelbrecht (corresponding author)
Year1983
Volume15
Issue2
Pages3-10
Publication date1983-01-01
Open AccessYes
TypeARTICLE
VenueDance Research Journal (JOURNAL)
Journal identifiersISSN: 0149-7677 • E-ISSN: 1940-509X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/1478672
OpenAlexW2012437149
LanguageEN
Citations received2
References cited3

With the passing of the Savoy Ballroom, a part of the show business is gone. I feel about the same way I did when someone told me the news that Bill (Bojangles) Robinson died. —Count Basie, 1958. The demolition of Harlem's Savoy Ballroom. Like Bojangles, by 1958 the Savoy had become an institution in the world of entertainment, and like Bojangles, it caught the imagination of thousands upon thousands of people during its 32-year history. The Savoy was a building, a geographic place, a ballroom, and the “soul” of a neighborhood. It personified a community and an era, and became a monument to the music and dance of “swing.” On its huge and shiny mahogany floor, the Lindy Hop was born, a dance that took the world by storm and would become as seminal as the waltz in the history of social dance. The Lindy Hop, together with countless other dances like the Flying Charleston, the Stomp, the Shim Sham Shimmy, Rhumboogie, Suzie-Q, Big Apple, Black Bottom and the Scrontch, were taken to an extraordinary level of performing perfection at the Savoy. Within its inner circle, great dancers and musicians set trends and styles in dance and music that ricocheted throughout the world. There were other ballrooms and clubs—Connie's Inn, Small's Paradise, The Cotton Club, The Lenox Club, The Kentucky Club, and the downtown clubs on 52nd Street—but there was only one Savoy

Archaeology · Art · Art history · Ballroom · Club · Dance · Downtown · Entertainment · Visual arts · Diversity and Impact of Dance · History · Music History and Culture · Theater, Performance, and Music History

  • Oceans, cities, islands

    Ananya Jahanara Kabir•Atlantic Studies•2014

  • May we have this dance

    Kendra Unruh•Atlantic Studies•2020

  • Autobiography of Malcolm X, The

    J Scrimgeour•2001

  • Music Is My Mistress

    Eileen Southern, Edward Kennedy Ellington•The Black Perspective in Music•1974

  • Jazz Dance

    Mary Grace Swift, Marshall W Stearns et al.•Journal of American Folklore•1969

Citations per year0.17
Citation span2014 - 2020 (7)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae