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Technique and Theory in the Work of Kapila Vatsyayan

Bibliographic Data

ID11223550
AuthorsJanet O’Shea (0000-0001-8670-1665, corresponding author), Janet O'Shea
Year2000
Volume32
Issue1
Pages82-86
Publication date2000-01-01
Open AccessYes
TypeARTICLE
VenueDance Research Journal (JOURNAL)
Journal identifiersISSN: 0149-7677 • E-ISSN: 1940-509X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/1478280
OpenAlexW1987661907
LanguageEN
Citations received5
References cited1

As a scholar and practitioner of Bharatanatyam I would like, foremost, to express my gratitude to Kapila Vatsyayan for her comprehensive, in-depth studies of Indian classical dance forms. Her work includes attention to both distant and recent epochs in the history of Indian dance as well as to current practice. Her analysis of many divergent sources has laid the groundwork for any academic study of classical Indian dance. She not only provides an exhaustive account of Indian dance in the past and present but also interprets the relationship among aesthetic theory texts, historical dance practice, and contemporary, classical Indian choreography in a nuanced and sophisticated manner. Because the strengths of Vatsyayan's research are manifold, I restrict my consideration here to a narrow focus. Specifically, this discussion focuses on her concept of dance technique as an integral part of her analytical framework. This essay also addresses the ramifications of her methodology for current and future work in the field of dance studies. In particular, I consider how Vatsyayan's understanding of the bodily subject offers an important paradigm for current writings within dance scholarship, especially those that interpret dance praxis in relation to social theory (1). Moreover, I limit my attention to two of Vatsyayan's major works: Classical Indian Dance in Literature and the Arts and Indian Classical Dance

Aesthetics · Art · Choreography · Contemporary dance · Dance · Epistemology · Performing arts · Political science · Praxis · Scholarship · Sociology · Subject (documents) · The arts · Visual arts · Computer Science · Diversity and Impact of Dance · Law · Philosophy · Sport and Mega-Event Impacts · Sports, Gender, and Society

  • Dance in Ninth Century Java

    Alessandra Lopez Y Royo•Near Eastern Archaeology•2003

  • Guru or Teacher? Shishya or Student? Pedagogic Shifts in South Asian Dance Training in India and Britain

    Open Access•Stacey Prickett•South Asia Research•2007

  • Classicism, Post-Classicism and Ranjabati Sircar’s Work

    Open Access•Alessandra Lopez Y Royo•South Asia Research•2003

  • Issues in Dance Reconstruction

    Open Access•Alessandra Lopez Y Royo•Dance Research Journal•2004

  • Embodying a Site

    Open Access•Alessandra Lopez Y Royo•Journal of Material Culture•2005

  • The future of dance scholarship in India

    Kapila Vatsyayan•Dance Chronicle•1995

Citations per year0.22
Citation span2003 - 2007 (5)
Highly citedNo

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