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An Artist Speaks “The intellect travels in many different directions”

Talkin’ with Eleo Pomare (1937–2008)

Bibliographic Data

ID11223883
AuthorsRachel Fensham (0000-0002-0339-4848, corresponding author)
Year2023
Volume55
Issue1
Pages68-80
Publication date2023-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDance Research Journal (JOURNAL)
Journal identifiersISSN: 0149-7677 • E-ISSN: 1940-509X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0149767723000104
OpenAlexW4384569237
LanguageEN

This interview with Eleo Pomare focuses on his role as the choreographer of mature creative works that intermingle with his formation as a Black artist and activist after he returned from Europe to live and work in New York in the mid-1960s. It begins with discussion of his creative work in the community during the period of the Vietnam War and the movement for civil rights. Pomare reflects upon his early training and choreographic experiments as well as describes the construction of some of his best-known performance works. He ends with some thoughts on political advocacy and his influence on dance policy and dance criticism, and throughout the conversation Pomare shares insights about his philosophy as a Black dance artist

Aesthetics · Art · Art history · Ballet · Civil rights · Conversation · Criticism · Dance · Intellect · Literature · Movement (music) · Period (music) · Political science · Politics · Sociology · Spanish Civil War · Theology · Visual arts · Diversity and Impact of Dance · Law · Musicology and Musical Analysis · Philosophy · Theatre and Performance Studies

Citation velocityhistorical
Highly citedNo

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