What's so Special about Women? Women's Oral History
Bibliographic Data
| ID | 11240910 |
|---|---|
| Authors | Sherna Berger Gluck (corresponding author), Sherna Gluck |
| Year | 1977 |
| Volume | 2 |
| Issue | 2 |
| Pages | 3 |
| Publication date | 1977-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Frontiers A Journal of Women Studies (JOURNAL) |
| Journal identifiers | ISSN: 0160-9009 • E-ISSN: 1536-0334 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3346006 |
| OpenAlex | W2323840756 |
| Language | EN |
| Citations received | 29 |
Refusing to be rendered voiceless any longer, women are creating a new history--using our own voices and experiences. We are challenging the traditional concepts of history, of what is historically important, and we are affirming that our everyday lives are history. Using an oral tradition, as old as human memory, we are reconstructing our own past. When women historians first began the task of creating and expanding the field of women's history, we relied on traditional historical concepts and methods. We busily searched for hidden clues to direct us to lost heroines, and, whenever possible, we sought out those who were still alive in order to record their past experiences. Because so little documentation was available on the lives and activities of these women, we found ourselves in a situation similar to that of Allan Nevins, who developed the method of oral history in 1948.1 With the advent of the telephone and the decline in the practice of journal writing and lengthy correspondence, historians were faced with a drying up of many of the sources on which they traditionally depended. Oral history, emerging then as the sound recording of the reminiscences of public figures, was hailed as a method which could create alternative sources
Archaeology · Oral history · Sociology · Gender Studies · History · Oral History, Memory, Narrative Analysis
Boca a boca
Songs in Black and Lavender
Who’s Afraid of Oral History? Fifty Years of Debates and Anxiety about Ethics
Not My Proudest Moment”
Life Like a Swing
On diversity, identity and socialization
Democracy on the Wall
Creating popular histories
In truth, I was really a pioneer”
A therapeutic journey
Theatre as safe space? Performing intergenerational narratives with men of Irish descent
Tactile places
Beyond the Intellectual Meridian
The Gentle Tamers Revisited
Empathy and Authority in Oral Testimony
Embodied intergenerationality
I am amazed at how easily we accepted it’
Introdução
Gendered economies
Broken Mirrors
The Artifact as Interviewer
Where to look for the truth
Problems of editing ?first-person? sociology
Gaining Turf but Losing Ground
Abortion
An oral life history perspective on the containers in which American farm women experienced leisure
Hidden from view
Women's representation and participation in Unesco heritage discourse
Indian Delights
| Unique citing works | 29 |
|---|---|
| Citations per year | 0,63 |
| Citation span | 1980 - 2025 (46) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 27 |