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Memory-Theater As Cultural Generativity

Eslingena : A Musical In Toronto And Riga

Bibliographic Data

ID11264650
AuthorsInta Gale Carpenter (Schlumberger (Ireland), corresponding author)
Year2007
Volume38
Issue3
Pages317-347
Publication date2007-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Baltic Studies (JOURNAL)
Journal identifiersISSN: 0162-9778 • E-ISSN: 1751-7877
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01629770701526763
OpenAlexW1964015389
LanguageEN
References cited22

Linking the concept of generativity to expressive culture as a communicative resource, this article asks how recontextualization shifts meanings. I focus on the reception by audiences in Toronto and Riga of Eslingena: A Musical, a play about life in a Latvian Displaced Persons camp in post-World War II Germany. North American audiences responded to Eslingena as performed memory. Anticipation of its performance in Riga suggested it might evoke countervailing memories that would trigger memory as a competition about suffering. Instead, Eslingena successfully mediated diasporic and homeland memories to produce a dialogue about agency grounded in differential experience

Aesthetics · Agency (philosophy · Anticipation (artificial intelligence · Art · Collective memory · Generativity · Homeland · Latvian · Linguistics · Media studies · Musical · Political science · Social science · Sociology · Visual arts · Gender Studies · Law · Music History and Culture · Philippine History and Culture · Psychology · Social Psychology · Theatre and Performance Studies

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Citation velocityhistorical
Highly citedNo

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