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Cultural cosmopolitanization and the politics of television in 1960s Ireland

Bibliographic Data

ID11267099
AuthorsPaddy Dolan (0000-0002-0086-8382, Dublin Institute of Technology, corresponding author)
Year2014
Volume36
Issue7
Pages952-965
Publication date2014-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia Culture & Society (JOURNAL)
Journal identifiersISSN: 0163-4437 • E-ISSN: 1460-3675
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0163443714536079
OpenAlexW2124387635
LanguageEN
Citations received1
References cited22

Many long-term perspectives on television tend to reduce the medium to a vehicle of social control. Here, following the figurational approach of Norbert Elias, the ambivalent meanings that the advent of television evoked, as discussed by politicians in Ireland during the 1960s, are examined. The consuming public were used as a discursive resource to either justify the introduction of television into Irish homes, or claim its inevitably deleterious effects. Politicians introduced a national television service as an emotional response to the existing British service and its imagined capacity to erode the nation. National distinction was embedded in the historical colonizer–colonized relations between Ireland and Britain. Television came to be considered as a medium of modernity and as a vehicle for the visual display of global commodities enticing emigrants. This we-feeling of national decline produced a positive emotional valence with other nations and global processes

Ambivalence · Emigration · Feeling · Irish · Media studies · Modernity · National identity · Political science · Politics · Sociology · Television studies · Gender Studies · History · Irish and British Studies · Law · Philippine History and Culture · Psychology · Social Psychology

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Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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