(Dis)locating South Asia
Diasporic markets in the global streaming landscape
Bibliographic Data
| ID | 11267200 |
|---|---|
| Authors | Anirban K Baishya (0000-0002-4090-179X, University of Wisconsin–Madison, corresponding author), Darshana Sreedhar Mini (0000-0001-5668-7815, University of Wisconsin–Madison) |
| Year | 2026 |
| Volume | 48 |
| Issue | 3 |
| Pages | 608-619 |
| Publication date | 2026-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/01634437251387450 |
| OpenAlex | W4415844776 |
| Language | EN |
| References cited | 10 |
This paper maps how South Asian media is marketed by streaming aggregators such as Sling TV and ZEE5 Global for diasporic audiences in the United States and Canada. Examining questions of access, availability, and marketing, and analyzing popular press coverage, media industry reports, advertisements, as well as the platforms themselves, we show how South Asian diasporic consumers are envisaged as a target constituency by streaming platforms. In the era of bundled entertainment capsules, such aggregators capitalize on the multiple sub-identities within the umbrella of “South Asian diaspora.” Through this analysis, we also show how “South Asia” is produced as a territorial category and a potential market through the nexus of cultural hegemony and capitalist markets, rather than a taken-for-granted identity of emotional belongingness
Diaspora · Entertainment · Entertainment industry · Globalization · Hegemony · Live Streaming · Media Industry · Nexus (standard · Diaspora, migration, transnational identity · South Asian Cinema and Culture · South Asian Studies and Conflicts
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Bollywood in the Indian-American diaspora
Viewing the West through Bollywood
Zee TV-Europe and the construction of a pan-European South Asian identity
MTV and the Globalization of Popular Culture
What is a technological author? The pirate function and intellectual property
| Citation velocity | historical |
|---|---|
| Highly cited | No |