Against masculinised hypercorrection? Renegotiating the everydayness and ordinariness of postfeminism on Chinese TV
Bibliographic Data
| ID | 11267366 |
|---|---|
| Authors | Min Xu (0000-0002-8940-1614, Yangzhou University), Xu Min (0000-0001-7587-1992, Yangzhou University), Shiyu Zheng (0000-0001-9468-8368, Newcastle University, corresponding author) |
| Year | 2023 |
| Volume | 45 |
| Issue | 2 |
| Pages | 435-446 |
| Publication date | 2023-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/01634437221135994 |
| OpenAlex | W4309321324 |
| Language | EN |
| Citations received | 10 |
| References cited | 36 |
In the past decade, there has been a significant rise in urban women-themed TV dramas in China, some of which have generated substantial public discourse on femininity. While Western women-centred TV and cinematic productions have been discussed intensively, much less attention has been paid to Chinese TV series and their audience reception. This article highlights the usefulness of studying audience response to the women-centred TV series produced in China over the past decade, especially those focusing on single women as main characters. By examining these widely-viewed TV series and their audience interpretation, this article aims to investigate the ordinariness and everydayness through which a postfeminist sensibility manifests in a non-Western context. As the research shows, these women-centred TV series reveal the diverse dimensions of urban women’s everyday lives. However, Chinese audiences express strong opposition to masculinised hypercorrection and the fetishisation of the gynandroid in such TV series. Many Chinese viewers prefer to see a realistic representation of Chinese women who have autonomy and the right to be imperfect. The findings shed light on gender-related debates in China today and contribute to discussions about the everydayness of postfeminism from an audience’s perspective
Aesthetics · Art · China · Context (archaeology · Femininity · Literature · Media studies · Opposition (politics · Political science · Politics · Reality television · Sensibility · Sociology · Asian Culture and Media Studies · Gender Studies · Gender, Feminism, and Media · History · Media, Gender, and Advertising
Unfinished Revenge
Platformed Television Reception and Feminist Commentary Cultures on Bilibili
Diminished Chinese feminine monstrosity
Gendered discourses of entrepreneurialism in Chinese reality dating television
Perfect Love or Illusory Hope? Female Players’ Ambivalent Fantasies Concerning Chinese Otome Games
Forging Relatability Through Identity Bricolage
Polarized views over feminism
I Have Always Seen People Who're out of My League!’
Celebrating women’s autonomy, embracing patriarchal norms
TV representation of the single woman in Nothing But Thirty
Postfeminism(s) and the Arrival of the Fourth Wave
For White Girls Only?
Postfeminism and Popular Feminism
The postfeminist entrepreneurial self and the platformisation of labour
New Femininities
Between the perfect and the problematic
Twenty-Something Girls v. Thirty-Something Sex And The City Women
Reflections on “thinking postfeminism transnationally”
Post-feminism and chick flicks in China
Neoliberal feminism, gender relations, and a feminized male ideal in China
Lemony Liz and likable Leslie
Sex and the City and Consumer Culture
Contentious practices of postfeminist audiencing
For Western Girls Only
If You Are the One
Postfeminist media culture
Am I supposed to say how shocked I was?’ Audience responses to Mad Men
Wang Hong Fashion Culture and the Postfeminist Time in China
Metaphorical representations of “leftover women”
Unbelievable bodies
Television’s “Leftover” Bachelors and Hegemonic Masculinity in Postsocialist China
Notes on the Perfect
Victims No More
Post‐feminism and popular culture
The affective, cultural and psychic life of postfeminism
Post-postfeminism
Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation
A techno-feminist analysis of beauty app development in China's high-tech industry
The 'problem' with single women
Leftover Women' or Single by Choice
Between Tradition and Modernity
| Unique citing works | 10 |
|---|---|
| Citations per year | 10 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 7 |