Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Fans speak for whom? Imagined ‘official’, internalised hegemony and self-censorship

Bibliographic Data

ID11267433
AuthorsSae Shimauchi (0000-0002-0409-2526, Tokyo Metropolitan University, corresponding author)
Year2024
Volume46
Issue7
Pages1454-1468
Publication date2024-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia Culture & Society (JOURNAL)
Journal identifiersISSN: 0163-4437 • E-ISSN: 1460-3675
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/01634437241249175
OpenAlexW4396759502
LanguageEN
Citations received4
References cited17

This study elucidates the concept of ‘official’, frequently used as a counterpart to fans in pop culture fandom using the case of Thai Boys Love drama fandom in Japan. It is necessary to examine the relationship between fandom and hegemony without assuming the potential of participatory culture and fandom as a counterculture. Therefore, this study focuses on how fans construct norms based on the concept of ‘official’ and internalise this power. Furthermore, it explores the meanings and respective boundaries of ‘unofficial’ and ‘official’ as constructed by fans. The results of the participation observations and interviews as an acafan revealed that the unofficial fan club, mass media and other entities were ‘officialised’ and the boundary between ‘official’ and unofficial was challenged by both fandom and the ‘official’ side. The mass media plays the role of the owner of cultural content and provider of norms, and fans expect each other to follow them through the constructed and ambiguous concept of ‘official’. The hegemony of ‘official’ is constructed by the voluntary consent of fans, and internalising these hegemonies leads to self-censorship and self-regulation. Blind overconfidence in fan-created ‘official’ may reinforce these structures and undermine the freedom and independence of fans

Censorship · Hegemony · Media studies · Political science · Politics · Sociology · Asian Culture and Media Studies · Gender, Feminism, and Media · History · Law · Social Media and Politics

  • Internationalization, Diplomacy, and Beyond

    Open Access•Sae Shimauchi•Education Sciences•2025

  • Media, the ambiguous, and audience

    Open Access•Sae Shimauchi•Japan Forum•2026

  • The “Y” phenomenon

    Y K Chan, Tong King Lee•Inter-Asia Cultural Studies•2025

  • It is universal love beyond homosexuality and gender difference

    Open Access•Sae Shimauchi•Feminist Media Studies•2025

  • Fandom

    Jonathan Gray, C Lee Harrington et al.•Fandom•2007

  • China's Digital Nationalism

    Florian Schneider•China's Digital Nationalism•2018

  • From Cyber-Nationalism to Fandom Nationalism

    Liu Hailong, Hailong Liu•From Cyber-Nationalism to Fandom…•2019

  • Hyperreal homoerotic love in a monarchized military conjuncture

    Charlie Yi Zhang, Adam Chen‐dedman•Feminist Media Studies•2021

  • Co-creative labour

    Open Access•John Banks, Mark Deuze•International Journal of Cultural…•2009

  • Dual ambivalence

    Open Access•Longlong Ge•Media Culture & Society•2022

  • Inter-Asia referencing and orientalist consideration of the transnational fandom of Thai boys’ love drama in Japan

    Open Access•Sae Shimauchi•Inter-Asia Cultural Studies•2024

  • Participatory media fandom

    Open Access•Hye-Kyung Lee, Hye‐kyung Lee•Media Culture & Society•2011

  • Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan

    Open Access•Sae Shimauchi•Continuum•2023

  • Boys Love Media in Thailand

    Thomas Baudinette•Boys Love Media in Thailand•2023

  • Danmei , Xianqing, and the making of a queer online public sphere in China

    Open Access•Ling Yang, Yanrui Xu•Communication and the Public•2016

  • Fan Conflicts and State Power in China

    Open Access•Erika Ningxin Wang, Longlong Ge•Asian Studies Review•2022

  • More than K-pop fans

    Rubal Kanozia, Garima Ganghariya•Media Asia•2021

  • The Yaoi Phenomenon in Thailand and Fan/Industry Interaction

    Open Access•Natthanai Prasannam•Plaridel•2019

  • Lovesick, The Series

    Thomas Baudinette•South East Asia Research•2019

  • Hearing Ordinary Voices

    J Burge•Continuum•2006

Unique citing works4
Citations per year4
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 4

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae