Streaming culture and a new wave of institutionalisation of audience measurement in China
Dados Bibliográficos
| ID | 11267606 |
|---|---|
| Autores | Elaine Jing Zhao (0000-0003-2739-2625, The University of New South Wales, Australia, autor correspondente) |
| Ano | 2023 |
| Volume | 45 |
| Fascículo | 8 |
| Páginas | 1631-1647 |
| Data de publicação | 2023-11-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Media Culture & Society (JOURNAL) |
| Identificadores do periódico | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Editora | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/01634437231182017 |
| OpenAlex | W4382681416 |
| Idioma | EN |
| Citações recebidas | 5 |
| Referências citadas | 37 |
This article examines the unfolding re-institutionalisation of audience measurement as the streaming culture reshapes the television industry in China. Following a brief introduction of the institutionalisation of the ratings culture, I examine how streaming platforms are reconfiguring audience measurement by tracing how various metrics are defined, used and valued by different platforms, in different contexts and across time. The analysis reveals continuing and new forms of informalities despite signs of convergence towards the use of algorithmic metrics, which are closely connected to streaming service providers’ self-serving interest in a multi-sided market. Next, I discuss how the disruption of the state’s near-monopoly in audience measurement in the traditional television industry breaks the regulatory inertia. I explain the dual-approach to institutional intervention by the state – the regulation of metric commodities through mandated calibration, and the launch of an official system as market alternative and policy instrument. I argue that the state intervention – through governance of and with algorithms – constitutes adaptive cultural governance serving ‘mass’ audience construction, and the regulation doubles up as a market response to serve the state’s intention to reclaim power in and over the market
Business · Corporate governance · Economics · Hierarchy · Institutionalisation · Intervention (counseling · Management · Market economy · Monopolization · Monopoly · Political science · Public relations · Sociology · State (computer science · China's Socioeconomic Reforms and Governance · Cinema and Media Studies · Computer Science · Law · Media Studies and Communication
Netflix Nations
Platform Power and Policy in Transforming Television Markets
Desperately Seeking the Audience
Theorizing Change
When Market Information Constitutes Fields
Audience evolution
The Black Box Society
The Reform of the Cultural System
Connected Viewing
Understanding Social Media Logic
Metric Power
Portals
Screen Distribution and the New King Kongs of the Online World
Netflix and the Re-invention of Television
Datafication, dataism and dataveillance
Automated Media
How algorithms see their audience
Audience-metric continuity? Approaching the meaning of measurement in the digital everyday
Between formal and informal
Entertainment and Politics in Contemporary China
Chinese video streaming services in the context of global platform studies
Fandomization of online video or television in China
Fan activism sustained and challenged
The Chinese Television Industry
Online TV
Tracking the Audience
Reconfiguring the Audience Commodity
Critical Questions for Big Data
Media, Market, and Democracy in China
Gaming the System
| Obras citantes distintas | 5 |
|---|---|
| Citações por ano | 2,5 |
| Intervalo de citações | 2024 - 2026 (3) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 5 |