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Pacific camp

Satire, silliness (and seriousness) on New Zealand television

Bibliographic Data

ID11267765
AuthorsSarina Pearson (0000-0003-1888-8194, Department of Film, Television and Media Studies at the University of Auckland, corresponding author)
Year2005
Volume27
Issue4
Pages551-575
Publication date2005-07-01
Open AccessYes
TypeARTICLE
VenueMedia Culture & Society (JOURNAL)
Journal identifiersISSN: 0163-4437 • E-ISSN: 1460-3675
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0163443705053976
OpenAlexW2063654398
LanguageEN
Citations received2
References cited17

How camp has been defined, to whom it ‘belongs’, its politics and its pleasures have been the subject of vigorous debate since the 1960s. Although the bulk of discourse on camp has been associated with queer scholarship, camp is a useful framework for looking at Pacific Island popular culture in Aotearoa New Zealand. Not only are camp’s constituent elements of incongruity, theatricality, humor, irony and aestheticism found in Pacific Island broadcast imagery, but there are also broader arguments for the existence of an Antipodean camp within which Pacific Island variants of camp can be situated. While Pacific television comedy is ‘campy’ because it features drag and makes liberal references to popular cultural iconography, it also positions itself within a minority racial discourse of marginalization. This article explores how some performances of Pacific camp incorporate incisive political critiques about social, economic and cultural marginality within scenarios that have been dubbed ‘camp lite’

Aotearoa · Art · Irony · Literature · Political science · Politics · Queer · Scholarship · Sociology · Subject (documents · Asian American and Pacific Histories · Asian Culture and Media Studies · Gender Studies · Gender, Feminism, and Media · History · Law

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Citations per year0.4
Citation span2021 - 2025 (5)
Highly citedNo

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